A Turkey for Thanksgiving

img_8588¬†Although it may be a bit late for the traditional Thanksgiving, I could not let November end without a nod to a seasonal children’s book. This is a fun little story from Eve Bunting, which sees several animals preparing for a Thanksgiving feast, hosted by Mr. and Mrs. Moose. Although Mrs. Moose has hosted many parties, she has never had one very traditional thing: a turkey for Thanksgiving. It is something she has always wanted, and Mr. Moose sets out to make it happen. Along his way to find a turkey, Mr. Moose encounters several of their planned dinner guests, some of whom join him in his search: Rabbit, Goat, Sheep, and Porcupine (notice a trend?). Turkey, of course, is not thrilled with the idea of anyone having him for Thanksgiving, and tries to escape the group coming to fetch him. Alas, Turkey cannot fly away, and is pushed along to join the Thanksgiving dinner. Of course, the fun twist at the end, being that this group of herbivores is looking to have a turkey AT their table, rather than ON their table.

I have heard this used as a read aloud leading up to the holiday, and the groups I have seen tend to enjoy the story. It can be a good story to talk about predictions and make kids thing about what could happen next, or using the pictures to as clues to the story. For students who are a bit older, the play on words is fun and could spark some good conversation and creative thinking.

Gone, Part 3

Fearimg_7940

There is a bit of a jump from the end of Plague to the beginning of this one, so it allows for a bit of time for things to settle. It is a time of relative calm, with separate settlements at the Lake with Sam and Caine reigning as the self-proclaimed King of Perdido Beach. Diana separates herself from Caine at the end of Plague, and Astrid has gone off the grid. It’s good to see Astrid on her own, relying on her own intelligence to survive rather than looking for someone to “save” her. It was also nice to see life outside of the FAYZ.

This was a pretty eventful book, which did keep it interesting and moving along, although I found some of the middle sections a tad overwhelming. There was so much going on simultaneously, with shifts in perspective, which sometimes made it a bit hard to follow. I liked the new perspective gained with Little Pete as still alive, but without physical presence.

img_8184Light

Unlike most of the other books, there is a minimal time gap going into Light. The FAYZ has gone clear, giving the children of the FAYZ their first glimpse into the outside world– and, of course, the world’s first glimpse into the horror of the FAYZ. I thought this was good in putting the whole arch of the story into perspective. Obviously after being cut off from the world for over a year, the mindset of those inside has changed dramatically. Normal life in the FAYZ is far from normal. This is, of course, an obvious observation. However, five books into a series that technically takes place in the “real world,” it’s nice to get that reminder. Grant does well in imagining how this change will play out in the minds of different characters– Brianna, who is younger, takes this as an opportunity for notoriety, bragging about her heroic deeds that horrify the outside world; some of the older characters– Sam, Caine, Astrid– are a bit more realistic about the consequences they may face with an end to the FAYZ.

Overall, I would say this is a solid wrap up to the series. The “end game” unfolds bit by bit, we get to see the demise and redemption of the main characters from throughout the series. My only complaint here would be that the final battle scene was a bit anticlimactic– we certainly have a big build up to this point, but the actual battle is over within about a paragraph. The only real surprise here is the revelation of who Little Pete has chosen to battle with. I also liked that there wasn’t a simple wrap up with the FAYZ wall coming down– there is a fallout, and we get to see how this plays out for most of the main characters.

Series

As a whole, this was a well written and well developed series. There is a good mix of action and the sometimes dull reality between, which helps to build the world of the phase. My only real issue with the series as a whole, is what I addressed specifically in the first book– the content seems a bit mismatched with the Fourth Grade reading level of the books. I can certainly see children that age enjoying parts of these novels, but there are some pretty graphic descriptions of the horrors of the FAYZ, as well as some elements that I would be a difficult discussion with that age group. I don’t just mean violence (although there is plenty of that)– I mean description of intense violence including mass murder, cannibalism, people being eaten alive from the inside by parasites, and issues related to sexuality, suicide, and religion. While I would agree that all of these fit in and have a place in the story (remember, we are focused on a group of children forced into adult roles by the situation), it just seems to be aimed at a bit more mature of a group than the reading level would suggest. I would consider this more appropriately as a young adult read than a novel for the middle grades.

Date Read: June 2018 to October 2018

My rating: 4 (of 5 stars)

Boris’s thoughts: “This is all a bit too intense for me. I think I need a nap. 2 paws.”

Gone, Part 2

Liesimg_7907

I found this next novel in the Gone series to be a bit more interesting than the previous, Hunger. As in the previous books, there are multiple simultaneous plot lines, all of which seem to move at a fairly quick pace. We get to see a new side of Astrid as the town leader. I was excited for this development, but felt that she became an unlikable character very quickly– many of the minor flaws from the previous books came to the forefront– although I do feel there is some redemption for her in the end.

There are developments in knowledge about the “Darkness” (now being referred to as the Gaiaphage), and the FAYZ in general. Most intriguing, I felt, was¬†some blurring of lines to go along with this. We learn more about the Gaiaphage as a force against the children of the FAYZ, but see some overlap and connection between the Gaiaphage and Little Pete. We also get a brief glimpse into the world outside the phase, although there is some ambiguity about how much of this is reality.

One thing I started to notice and appreciate in this book is the balance of good and evil, and wins and losses. Astrid and Orsay are set at odds with each other over the truth of Orsay’s “prophecies,” although it’s not clear which side is the actual truth. There are two major culminating “battles” of sorts– Zil’s chaos with the Human Crew, and Mary’s eventual meltdown as she reaches the age of 15. While both of these could be considered overall victories for Perdido Beach, they are also mental losses: Zil is taken down as a leader, but much of the town is destroyed; the risk and danger to the young children is averted at the last second, but Mary, who has been an important figure up to this point, is lost when she chooses to “step out.”

img_7916Plague

Plague starts with a time of relative calm in the FAYZ. Some systems have been agreed upon and instituted, and things seem to be running smoothly. With the calm in Perdido Beach, it seems reasonable when Sam is sent to find a new source for water. This sets up an interesting dynamic for most of the novel: for the most part, Sam is on a hopeful and fruitful journey; by contrast, the sickness and danger begin to grow in Perdido Beach in his absence. While this is happening, there are also further developments related to the Gaiaphage, which really sets that stage for the remainder of the series. Drake/Brittney return in service of the Gaiaphage, and although lines are drawn between Sam and Caine, they both return as major players with some semblance of peace between them.

One thing I loved in this book is the inclusion of Little Pete’s perspective. He has autism, is nonverbal, and tends to tune out from the rest of the world. Up to this point, Little Pete has been portrayed as an important person in the FAYZ, but we do not really get a good picture of his experience. When we get to see the world from his eyes, it is a scary place of sensory overload. While it’s accuracy can obviously not be certain, I felt that Grant handled the task well.

Gone, Part 1

This summer, I started reading this young adult series, that I have heard was popular. To be honest, I did not know much about it, but had heard some positive feedback. With so many other things going on this summer, it turned into a bit of an undertaking. I decided that a single post would not be sufficient to address a whole series, but a post for each book also seems just a bit excessive. I’m trying something new here, so let’s see how this goes!

img_6422Gone

A solid start to the series. One day, in the middle of a high school class, the teacher suddenly disappears. It is soon discovered that it was not just the teacher– everyone over the age of 15 has “poofed.” They soon discover that they have been trapped in some sort of dome, deemed the FAYZ, Fallout Alley Youth Zone, due to their vicinity to the nuclear plant and lack of adults. We get an introduction to most of the main players of the FAYZ here– Sam, Astrid, Caine, Diana, Lana, Edilio, Albert, Quinn, Orc, Drake, and Little Pete. I thought this was done well, in that we get to see pieces of each of them, although it is not quite clear if or why these individuals are important. The plot was fairly straightforward Good vs. Evil, although I appreciated that it definitely showed some gray areas. I thought Grant did a good job in imagining the actions of young people in the absence of adults: most aren’t quite sure what to do, and so they indulge themselves in junk food and laziness; those that recognize that they should be doing something are still not quite sure what that is. I also thought the discovery and development of the mutant powers was done well. Several characters start to show powers, but most seem to be uncertain about them. I also liked that many of the main characters do not have any special power, but still are able to find their place.

The early parts of the book left a bit to be desired as far as writing– I wouldn’t call it bad, but it certainly was not great. I felt like this improved later in the book. I did, however, have some issues with the book in general. The story is pretty intense, and there is some fairly graphic violence. While this does not bother me on principle, I find it a bit mismatched with the Fourth Grade reading level of the book. Also not a fan of the liberal use of the word “retard” in describing Little Pete. While it does address this as problematic, I feel like it could have been toned down quite a bit without losing the intent.

Hungerimg_7718

After the final battle in Gone, we have a 3 month time jump to Hunger. The kids in the FAYZ are beginning to realize that things cannot be maintained long term. Food supplies are running short, and the mysterious “Darkness” is starting to create influence in some of the teens. Much of this book felt slower, and a bit less connected than “Gone.” While it did come together in the end, I felt like it took a long time to get there. Sam, as the main character and leader, is in an obvious slump. I can admit this could be realistic, but to me he mostly came off as whiny and annoying.

We do see some good character development in this novel, although I was not a big fan of the female characterization. The three main female characters at this point are Astrid, Diana, and Lana. Astrid and Diana are claimed to be independent and strong women, but really seem to just be sidekicks for their male counterparts. Astrid is somewhat manipulative of Sam, but this is not for some bigger ambition, it’s her survival mechanism, as she does not seem to think she can do so on her own. Diana claims to be independent and in everything for herself, but her actions are primarily as a pawn for Caine. Lana appears to be different– she is strong, she has an attitude, and she is not afraid to take matters into her own hands. However, her encounter with the Darkness in the latter half of the novel leaves her broken and weak.

There is also the introduction of a new character, Zil, whom I find to be extremely unlikable, although interesting. Zil wants to be important, but has always been someone on a lower rung of the social ladder. He wants the prestige of being a leader, but does not really want the responsibility that goes along with leadership. It appears that he is somewhat jealous of those developing powers, but also mostly wants to save face when he is “shown up” by them. He feeds into fears, and seems to bring out the worst in those around him.

The Hallo-Wiener

img_8015I love the creepy of Halloween, but the season would not be complete without a little bit of the goofy of Halloween. Who better to bring that element than Dav Pilkey?

Poor Oscar doesn’t quite fit in with the other dogs, being that he is a dog and a half long, but only half a dog tall. The other dogs tease him, and while his mother means well, the Halloween costume she made for him is certainly not helpful. But when the other dogs are attacked by a “monster,” Oscar isn’t going to just run away!

This is a fun book for the season, and can be a good teaching tool for kids too– the other dogs tease Oscar, but they learn that sometimes being different as its advantages when Oscar comes through to save the day. Good for a read aloud in October, and also a relatively easy read that incorporates some bigger vocabulary (such as the ornery cats!). Like in some of the other Dav Pilkey books, I like the little “extras” added into the illustrations– we can see that Oscar’s last name is Myers on his mailbox, and the title page has the book title lettered in hot dogs!

Boris’s thoughts: “Seriously? Cats as the bad guys? Boo. Hiss. 1 paw.”

Something Wicked This Way Comes

img_5193Dates Read: September 18 to October 5, 2017

Rating: 5 (of 5) stars

As I often do, I am finding it difficult to put in to words what it is that made this book great to me. Alas, here I am, trying to put it into words anyway.

The general theme of the story is fairly straightforward– good versus evil. The “good guys” and the “bad guys” are laid out pretty clearly, and there’s a clear winner of the battle. However, to consider this book only in those terms would be a gross oversimplification. While it may be built around a simple frame, there is something beautiful in the words that truly build this story.

Bradbury perfectly captures all of the wonder and magic of the fall season, and his style here fits with that beautifully. I have read Bradbury before, but never noticed the beauty in his writing. The Halloween carnival is the perfect setting, and I felt there was just enough mystery and intrigue for my liking. This is horror, but not overt, in-your-face horror. It’s more of a lurking, sinister horror, where you never know what may lay around the next corner– not quite waiting for the killer to jump out and grab you, but wondering what trap may have been set for you to stumble upon.

Boris’s thoughts: “I don’t know about all this creepiness, real life is scary enough! As long as you will keep me safe, I give it 3 paws.”

The Boy of a Thousand Faces

img_8077At 48 pages, this is not quite a children’s picture book, but not quite a novel either. Something in between: perhaps a children’s novella? I am a big fan of Brian Selznik. I love the style of his novels and the way he combines words with illustrations to tell a story. This is a little different than his longer works, in that he uses the pictures to supplement this story rather than to continue driving the plot. However, the pictures are no less essential here than in his novels.

Being born on Halloween, it is no surprise that Alonzo has a fascination with monsters. His love is fueled by the late-night horror film show hosted by Mr. Shadow, where he discovers the greatness of Lon Cheney. Alonzo is inspired by the films, which turns into a dream to become the “boy of a thousand faces.” I love that his character has a dream that is outside of what might be considered normal. Alonzo goes beyond “I want to be a movie star” to actually working on and creating something new. His goal is not to be famous, but in the creation of something to be enjoyed by others.

The reciprocal relationship between Alonzo and Mr. Shadow is interesting as well. Alonzo is inspired by Mr. Shadow and his show, reaching out to him when he is beginning to feel disillusioned with his dream. At the same time, Mr. Shadow believed that nobody was interested when his show ended, but was inspired by Alonzo to “bring back” something that he loved in a new way.

I love this as a tribute to traditional horror films, special effects, and Lon Cheney. I think it is also a great introduction to the horror genre. It is a bit creepy, but not something that would truly scare most children. It’s perfect for kids who might have an interest in things that are a bit dark seeming, that might seem a little weird to others.

Boris’s thoughts: “Hmmm… dark and weird… I approve. 3 paws.”