The October Country

img_2499Date Read: October 19 to December 1, 2019

Rating: 5 (of 5) stars

I read The October Country a few months back as a sort of reward for myself— if you have been following along, you may recall that in October I was challenged to read a book that scares me, and chose the lowest rated book on my to read shelf, which I had been putting off for quite some time. (I wrote about that here, if you’re interested.) I planned on reading this one next, as a sort of carrot for myself: finish the book I was less excited about so that I could move on to one that I was excited to read. Coincidentally, this was also a good fit for the November Unread Shelf challenge, a book from your favorite genre. I have a tough time defining a favorite genre, but I think this was a good fit for that.

This collection of short stories by Ray Bradbury turned out to be that perfect reward. Although it took me longer than I had hoped to finish, it was well worth the time spent. The October Country is introduced as a sort propensity for darkness that exists within us. A place that is not inherently evil, but perhaps a little creepy with the potential for wickedness. Despite an overwhelming sense of spookiness, I would not classify anything in this book as outright horror.

Rather than go for an upfront scare, these stories leave one with a feeling of uneasiness. Many of the endings are at least a tad ambiguous, leaving the level of horror up to the imagination of the reader. Some ease in with some creepiness, but end with a sense of sadness—a man left with a shattered self, an average person born into a family of immortals, a glimmer of hope with a grave consequence.

One story that particularly stood out to me was The Next in Line, which I am positive relates to the fact that I have visited the location of the story in the recent past. I have very clear memories of walking through the cemetery, and looking down the spiral staircase into the crypt. The Museo de las Momias de Guanajuato looks very different now than the room described in the story, but having seen them for myself, the thought of being haunted by the faces encountered there is by no means a stretch of the imagination.

Boris’s thoughts: “It’s always all about the spooky with you, isn’t it? 3 paws.”

Book: The October Country by Ray Bradbury

Lovecraft Country

img_1914Date Read: July 24 to August 8, 2019

Rating: 3 (of 5) stars

This was definitely an interesting read, although I wanted to enjoy this book so much more than I did. I suspect that part of the problem may be my lack of background knowledge—I have never read anything by H.P. Lovecraft, and my reading of classic science fiction is admittedly lacking. However, I am not fully convinced this would have made a drastic difference in my feelings on the book, although it may have at least increased my appreciation of what Ruff was doing here.

Lovecraft Country falls somewhere between a novel and a collection of short stories, chronicling the lives of an extended African American family living in 1950s Chicago. Each chapter is written as a story centered on a different member of the family, each of them connecting to the main narrative. It includes horrors of two primary varieties: elements of classic horror fiction inspired by Lovecraft and others; the perhaps even more terrifying daily horrors of racism in America. The stories of the struggles encountered in their everyday lives, as well as their research for the “Safe Negro Travel Guide,” paints a picture of that period in American history that many may not realize existed—a bit scary considering that time is not so far back in our history. I am a generally well-read and well-informed person, and this is a perspective of America that I have never had to face myself. Although I know that side of our past exists, I have not previously encountered it in the perspective taken here. Perhaps that is my own fault.

I wish I could find more to say about this book, especially considering my unusually low (for me) rating. (You’re right, three stars is not a bad rating; however, if you have read any of my previous reviews, you know that I tend to give 4-5 stars to most of what I read. I really cannot help myself; I love books too much). With the style of the book I mentioned—the chapters that feel more like individual stories—I felt like there was something missing somewhere. There is some resolution to the overall narrative, but it feels like there is something lacking, although I cannot quite put my finger on what that is. Perhaps there could be more to the story from here? Perhaps something more is needed to fill in the gaps between each of these tales? I am not sure, but it left me feeling a bit unenthused.

Boris’s thoughts: “Curious. You lost me after that scary dog in the second story though. No thank you. 1 paw.”