The Nightmare Before Christmas

img_2396The evolution of Halloween over time puts it in a unique position among holidays and traditions. Not that there have not been changes in other holidays, of course, but the contrast between the night of literal tricks or treats mayhem in the past and the more lighthearted trick or treating of today is quite stark. This makes it a bit more difficult to define what is “classic” in Halloween—we do not have the same sort of classical tradition in film and music that is carried through with Christmas. There are classic horror films, but these are not truly constrained to or even tied to Halloween. Enter here, the bridge between these two, and I give you a Halloween classic: The Nightmare Before Christmas.

Most know this story from the movie, which we will forever be debating about—is it a Halloween movie, or a Christmas movie? (Both, obviously, but I digress.) A little over a decade before this stop-animation film came to be, it was a poem written by Tim Burton. The poem is a basic outline of the story of the film, starting with its own rhyme and meter, then switching to match that of the original Christmas poem, ‘Twas the Night Before Christmas. Jack Skellington is discontent in Halloweenland, and when walking through the woods stumbles upon a strange door that takes him in to Christmastown. He is excited about this discovery, wishing to bring Christmas back home with him. As in the film, the Halloween takeover leads to disaster, although it does not end with the same level of excitement of a Santa kidnapping and rescue. Santa intervenes, Jack learns his lesson; Santa does realize that Jack meant no harm, and so brings a bit of Christmas to Halloweenland to show that there are no hard feelings.

Although it well predates the film, the poem was not published until the time of the film’s release. This particular edition is a special release for the 20th anniversary of the original publication and film release. The poem is set up into a picture book with original illustrations by Tim Burton. I believe some of these are from the original publication, but there are some new illustrations added to the anniversary edition. As a fan of both the poem and the film, this was a fun look behind the scenes for me. The illustrations are reminiscent of the animation, perhaps serving as a bit of a storyboard around which the film was fleshed out with its songs and plot additions. This book holds a special place on my shelf year-round, but is out for display this time of year. I love the detailed simplicity of this gold and white cover, with the iconic scene of Jack on the hill, bordered by some lovely little drawings of Zero the ghost dog.

Boris’s thoughts: “It could use a few more black cats, but otherwise I approve. 3 paws.”

Shout

img_1034Date Read: July 18 to 22, 2019

Rating: 5 (of 5) stars

I went to a small high school. There were two English teachers in the school my freshman year, and by the time I graduated that had only increased to three. We had no library, just the small collection of books each teacher had in their classroom. By my junior year, I had read them all. One of the teachers started bringing in books from home for me to read, and that was when I discovered Laurie Halse Anderson. I was so taken with her story and her writing that I bought up her other novels as soon as I saw them, without even taking the time to read the description on the back cover. It was this practice that led me to scoop up her latest book without realizing what it was—which I am considering serendipitous, as I would have likely passed on this incredible work because I thought it was “not my style.”

Shout is a novel-length memoir, told through a series of poems. Although each poem as its own subject, and there is variety in style, they combine to form a loose narrative. I was impressed with how Anderson was able to convey her troubled childhood without judgment. She acknowledges the hardships of her family life, but does not condemn her family nor ask for sympathy. The poems are divided into three sections, labeled simply: One, Two, and Three. One, which covers more than half of the book, deals with her early life into her early writing career, ending with Speak, her first successful novel (and the book that I had originally discovered back in high school). Two gets more involved in life as an author, and as a speaker. Dealing with the unexpected success, but also the controversy surrounding sexual assault and speaking about it in schools. Three was a bit less organized, but had some reflections and other pieces that did not quite fit into the rest narrative.

Overall, I was really impressed with this book. I usually am not a fan of poetry, but something about these poems really drew me in. The story was captivating and I found myself enjoying it much more than I had expected when I started.

Boris’s thoughts: “I think poetry just goes over my head. It was hard enough to learn to read human, how am I supposed to understand this? 2 paws.”

The Year of Goodbyes

img_7713Date Read: July 7, 2018

Rating: 4 (of 5) stars

Following the World War II theme from last week, I have a book with a very different feel. Debbie Levy presents this book based off of her mother’s posiealbum from 1938. It is an autograph book, filled with poems written by her friends. These poems provide the framework for a series of journal entries and reflections that string together the events of the year, from the perspective of the 12 year old author.

It was an interesting read, although a bit unsettling. The book shows the gradual change from normal life to the fear and uncertainty that lead Jutta’s family to flee Germany. Goodbyes from friends leaving, or in some cases disappearing without explanation. I suppose the gradualness of the change, people slowly losing their friends, family, and rights, is what is most unsettling, knowing what comes next. While there is definitely an emotional element in the book, it seems stronger in retrospect, realizing the history of what happened just after the year of the posiealbum.

I can see this being a good book as an introduction to the history of World War II for kids in upper elementary, middle school, and perhaps high school. Much of the content is taken from the perspective of someone in that age range, and there are certainly many possible discussion topics. The poetry is an interesting element, although admittedly not really my personal cup of tea.

Boris’s thoughts: “Short and sweet and lighter than your hardcovers. 4 paws.”