Date Read: May 1 to May 27, 2019
Rating: 4 (of 5) stars
This book was my pick for May’s Unread Shelf Project prompt: bought because of the adaptation. I was not exactly sure how I should define this one, so I looked through my to read list for books that had adaptations. Generally speaking, I like to pair book and movie adaptations. If I see a movie I like and find out there is a book, I add it to my list; similarly, I usually make a point to see movies based on books that I’ve read. This was one that has been on my list the longest: I found out this was a book while renting the movie shortly after it came out in 2003. I purchased it for my kindle a few years later, but never seemed to get around to reading it for some reason.
I like the idea behind the novel: historical fiction meant to touch on the mystery of a painting. The painting itself is intriguing, and coupling that with a background that is generally unknown makes this a perfect subject matter. The writing was excellent, and I found Griet’s perspective interesting. However, despite enjoying the book, I felt the plot was a bit lackluster. Not much happens, there is very little character development, and while the mystery of the painting source is solved, we still do not get much of a picture of the artist.
Griet’s experience is treated as scandalous, but it is hardly that. She is merely trapped into the drama of a higher class that is unable to take blame for their own actions. With the whole novel being from her perspective, it’s difficult to say whether the intimacy she describes is truly present. Of course, I imagine that there must be some level of intimacy reached between painter and subject, but Griet perhaps exaggerates it, or simply wishes it to be something deeper. There is no doubt from her words that she has feelings for the painter, but there is nothing in his actions that really suggests he sees her as anything more than an assistant and model. Griet seems to find some resolution in her reflections on that time after Vermeer’s death, but then this is thrown into confusion and further mystery with the revelation of the letter and Vermeer’s request for the return of the painting.
Despite some issues with the plot, I did enjoy the artistic aspects included: Griet’s descriptions of the paintings to her father, the references throughout the book to other works by Vermeer. More than once I was drawn to seek out the paintings described. I also really enjoyed the discussion of color, including the actual making of colors for the painting and Griet’s discovery of color as something deeper than she imagined.
Boris’s thoughts: “Sounds a bit like a snoozer. I like snoozing. 3 paws.”